"Pur ti riveggo, mia dolce Aida" by Carlo Bergonzi was released on November 9, 2010. Since Pur ti riveggo, mia dolce Aida is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Carlo Bergonzi's "Italian Opera Classics" album is number 29 out of 40. On top of that, United States appears to be the country where this track was created. Pur ti riveggo, mia dolce Aida is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pur ti riveggo, mia dolce Aida by Carlo Bergonzi to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 1 | 5B | 108 BPM | ||
Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A♭ Major | 1 | 4B | 178 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
Lohengrin, WWV 75 / Act III: "Mein lieber Schwan!" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Waltraud Meier, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 117 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Manon / Act 2: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM |
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