"If God Be For Us - Live" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 29 out of 54. On top of that, United States appears to be the country where this track was created. If God Be For Us - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of If God Be For Us - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria: I. [Allegro vivace] | John Rutter, Choir of King's College, Cambridge, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber, City Of Birmingham Symphony Orchestra, Jacqueline Hartley, Stephen Cleobury | B♭ Major | 1 | 6B | 152 BPM | ||
Thou Art Gone Up On High - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Minor | 1 | 7A | 125 BPM | ||
Concerto Grosso No. 8 In G Minor, Op. 6 ""Christmas Concert"": I. Vivace - Grave: Arcate, Sostenuto e Come Sta | Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory, Genadi Cherkasov | G Minor | 0 | 6A | 81 BPM | ||
Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | E♭ Major | 0 | 5B | 136 BPM | ||
Adeste Fideles | John Francis Wade, Luciano Pavarotti, London Voices, National Philharmonic Orchestra, Kurt Herbert Adler | C Major | 3 | 8B | 88 BPM | ||
The Seasons, Op. 37a: XII. December - Christmas | Pyotr Ilyich Tchaikovsky, Lang Lang | A♭ Major | 1 | 4B | 120 BPM | ||
Concerto grosso in G minor, Op.6, No.8 "fatto per la notte di Natale": 2. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 87 BPM | ||
The Dettingen Anthem: V. We Will Rejoice in Thy Salvation | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 3 | 3B | 91 BPM | ||
Lullaby | Peter Warlock, Thomas Dekker, Blossom Street, Hilary Campbell | D Minor | 0 | 7A | 91 BPM | ||
"Bist du bei mir", BWV 508 | Gottfried Heinrich Stölzel, Kiri Te Kanawa, Christopher Bowers-Broadbent, Olga Hegedus | E♭ Major | 0 | 5B | 128 BPM |