John Francis Wade, Luciano Pavarotti, London Voices, National Philharmonic Orchestra, Kurt Herbert Adler's 'Adeste Fideles' came out on January 1, 1976. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "O Holy Night". In this album, this song's track order is #11. Adeste Fideles is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adeste Fideles by John Francis Wade, Luciano Pavarotti, London Voices, National Philharmonic Orchestra, Kurt Herbert Adler having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sancta Maria | Pietro Mascagni, Amira Willighagen | F Major | 2 | 7B | 110 BPM | ||
Angels from the Realms of Glory (Arr. Ledger) | Traditional, Sir Philip Ledger, Choir of King's College, Cambridge | G Major | 0 | 9B | 87 BPM | ||
Mamma | Cesare Andrea Bixio, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | G Major | 2 | 9B | 122 BPM | ||
Adeste Fideles (O come, all ye faithful) | Choir of King's College, Cambridge, David Briggs, Stephen Cleobury | G Major | 1 | 9B | 136 BPM | ||
Lully, Lulla, Lullay | Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood | A♭ Major | 1 | 4B | 79 BPM | ||
Adeste Fideles | Vienna Boys' Choir | C Major | 1 | 8B | 116 BPM | ||
Mary's Lullaby | John Rutter, City of London Sinfonia, The Cambridge Singers | F♯ Major | 0 | 2B | 67 BPM | ||
Sussex Carol (On Christmas Night) | Choir of King's College, Cambridge, Sir David Willcocks | G Major | 2 | 9B | 113 BPM | ||
Hark! The Herald Angels Sing | Choir of King's College, Cambridge, Andrew Davis, Sir David Willcocks | G Major | 3 | 9B | 75 BPM | ||
Adeste Fideles | John Francis Wade, Andrea Bocelli, Academy Of Choir Art Of Russia, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | G Major | 4 | 9B | 86 BPM |
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