"Requiem in D Minor, Op. 48: III. Sanctus" by Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner was released on July 6, 2018. The duration of Requiem in D Minor, Op. 48: III. Sanctus is about 3 minutes long, at 3:14. Based on our data, "Requiem in D Minor, Op. 48: III. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 17 in Faure: Requiem; Orchestral Works by Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Requiem in D Minor, Op. 48: III. Sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in D Minor, Op. 48: III. Sanctus by Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonies de Fanfare in D Major: 1. Rondeau | Jean-Joseph Mouret, Hannes Läubin, Wolfgang Läubin, Bernhard Läubin, Norbert Schmitt, Simon Preston | D Major | 3 | 10B | 77 BPM | ||
組曲「ドリー」 Op.56: III. ドリーの庭 | Gabriel Fauré, 原博巳, 大石将紀, 貝沼拓実, 伊藤富美恵 | E♭ Major | 0 | 5B | 68 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Have Yourself a Merry Little Christmas (arr. J. Rutter) | Hugh Martin, Melanie Marshall, John Anderson, Royal Philharmonic Orchestra, John Rutter | A Major | 0 | 11B | 131 BPM | ||
Rejoice in the Lamb, Op. 30: No. 1c, Hallelujah | Benjamin Britten, David Dunnett, Norwich Cathedral Choir, Ashley Grote | F Major | 0 | 7B | 0 BPM | ||
Three German Dances, K.605: No.3 in C, Trio "Die Schlittenfahrt" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 147 BPM | ||
Zadok the Priest | George Frideric Handel, The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker | D Major | 2 | 10B | 93 BPM | ||
Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 184 BPM | ||
White Christmas | Guildford Cathedral Choir | E Major | 3 | 12B | 80 BPM | ||
Fauré: Messe basse: Benedictus | Gabriel Fauré, Choir of King's College, Cambridge, Paul Smy, John Butt, Philip Ledger | A♭ Major | 0 | 4B | 75 BPM |
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