Johann Strauss II, Erika Köth, Walter Berry, Waldemar Kmentt, Hilde Gueden, Wiener Philharmoniker, Herbert von Karajan's 'Die Fledermaus, Act I: No. 3, Duet. Komm mit mir zum Souper – Dialogue' had a release date set for May 17, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Strauss II, Herbert von Karajan, Josef Strauss, Johann Strauss I's "Karajan A-Z: Johann Strauss - Josef Strauss" album is number 58 out of 77. On top of that, United Kingdom appears to be the country where this track was created. Die Fledermaus, Act I: No. 3, Duet. Komm mit mir zum Souper – Dialogue is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Fledermaus, Act I: No. 3, Duet. Komm mit mir zum Souper – Dialogue by Johann Strauss II, Erika Köth, Walter Berry, Waldemar Kmentt, Hilde Gueden, Wiener Philharmoniker, Herbert von Karajan to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Leichte Kavallerie: Overture | Franz von Suppé, Munich Radio Orchestra, Ivan Repušić | E Major | 3 | 12B | 128 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 90 BPM | ||
Violin Concerto in E Major, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | E♭ Major | 1 | 5B | 209 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
Coppélia: Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 89 BPM |