"Schottische Bilder - Arr. for Piano" by Carl Loewe, Rachel Attwell-Ramos was released on 2013. The duration of Schottische Bilder - Arr. for Piano is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Schottische Bilder - Arr. for Piano's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 50 in Clarinet Exam Pieces 2014 - 2017, ABRSM Grade 5 by John Reynolds, Rachel Attwell-Ramos. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Schottische Bilder - Arr. for Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schottische Bilder - Arr. for Piano by Carl Loewe, Rachel Attwell-Ramos is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Harald op.45 Nr.1 - Vor seinem Heergefolge ritt der kühne Held Harald | Carl Loewe, Thomas Quasthoff /Norman Shetler | D♭ Major | 0 | 3B | 93 BPM | ||
Biber: Requiem a 15 in A Major: V. Sanctus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: But the waters overwhelmed their enemies (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Der Tod Jesu, Pt. 1: Chorus: Du, dessen Augen flossen (Chorus) | Carl Heinrich Graun, Arcis-Vocalisten, L'arpa Festante, Thomas Gropper | B Minor | 1 | 10A | 164 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 15, "Nachtigall" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | A♭ Major | 2 | 4B | 105 BPM |
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