"Requiem in D Minor, Op. 48: No. 3, Sanctus" by Gabriel Fauré, Cologne New Philharmonic Orchestra, Philharmonic Chamber Choir Essen, Volker Hartung was released on April 5, 2019. The duration of Requiem in D Minor, Op. 48: No. 3, Sanctus is about 3 minutes long, at 3:13. Based on our data, "Requiem in D Minor, Op. 48: No. 3, Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 7 in Fauré: Requiem in D Minor, Op. 48 by Gabriel Fauré, Cologne New Philharmonic Orchestra, Volker Hartung, Susanne Martin, Sebastian. Requiem in D Minor, Op. 48: No. 3, Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in D Minor, Op. 48: No. 3, Sanctus by Gabriel Fauré, Cologne New Philharmonic Orchestra, Philharmonic Chamber Choir Essen, Volker Hartung is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM |
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