On 1928, the song "Lento, ma non troppo" was released by Frédéric Chopin, Vladimir Horowitz. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vladimir Horowitz: The Chopin Collection by Frédéric Chopin, Vladimir Horowitz. The song's track number on the album is #3 out of 95 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Lento, ma non troppo is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Lento, ma non troppo by Frédéric Chopin, Vladimir Horowitz has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lento, ma non troppo being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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X. October - Autumn Song | Pyotr Ilyich Tchaikovsky, Lang Lang | D Minor | 0 | 7A | 134 BPM | ||
Valse En Mib Maj Op18 Grde Valse Brillante | Samson François | A♭ Major | 1 | 4B | 126 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 90 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Sonata in E Major, L. 430 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Saint-Saens - Danse macabre, S555/R240 (arr. V. Horowitz for piano): Danse macabre | Vladimir Horowitz, Franz Liszt, Valery Kuleshov | E♭ Major | 2 | 5B | 108 BPM | ||
Dvorák: 8 Humoresques, Op. 101, B. 187: No. 7 in G-Flat Major | Antonín Dvořák, Moura Lympany | B Major | 0 | 1B | 70 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM |
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