A Midsummer Night's Dream, Op.64 / Act 3: "If We Offend, It Is With Our Good Will" - Benjamin Britten, Owen Brannigan, Kenneth McDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Sir Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra Information

Acousticness: 98%
Danceability: 39%
Energy: 24%
Instrumentalness: 0%
Liveness: 43%
Loudness: 62%
Speechiness: 13%
Valence: 26%
Popularity: 3%
Loudness: -22.679 dB

Summary

Benjamin Britten, Owen Brannigan, Kenneth McDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Sir Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra's 'A Midsummer Night's Dream, Op.64 / Act 3: "If We Offend, It Is With Our Good Will"' came out on January 1, 1967. With A Midsummer Night's Dream, Op.64 / Act 3: "If We Offend, It Is With Our Good Will" being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. In terms of popularity, A Midsummer Night's Dream, Op.64 / Act 3: "If We Offend, It Is With Our Good Will" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

A Midsummer Night's Dream, Op.64 / Act 3: "If We Offend, It Is With Our Good Will" BPM

The tempo marking of A Midsummer Night's Dream, Op.64 / Act 3: "If We Offend, It Is With Our Good Will" by Benjamin Britten, Owen Brannigan, Kenneth McDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Sir Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

A Midsummer Night's Dream, Op.64 / Act 3: "If We Offend, It Is With Our Good Will" Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light	Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	E Major	1	12B	145 BPM
Eine Alpensinfonie: I. Nacht - Sonnenaufgang	Richard Strauss, Bernard Haitink, London Symphony Orchestra	B♭ Minor	0	3A	88 BPM
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	A Minor	2	8A	124 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM
Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffrey	Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson	D♭ Major	3	3B	124 BPM
The Young Person's Guide to the Orchestra, Op. 34: IV. Variation I, Harp. Maestoso	Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra	D♭ Major	0	3B	98 BPM
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo)	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	A Major	1	11B	84 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro	Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev	F♯ Minor	0	11A	78 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8056399822235107

End: 0.8101396560668945