"Preludes, Op. 28: No. 15, Sostenuto in D-Flat Major" by Frédéric Chopin, Axel Gillison was released on February 8, 2019. Since Preludes, Op. 28: No. 15, Sostenuto in D-Flat Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 55 in the song's album "Piano". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Preludes, Op. 28: No. 15, Sostenuto in D-Flat Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Preludes, Op. 28: No. 15, Sostenuto in D-Flat Major by Frédéric Chopin, Axel Gillison having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) | Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D♭ Minor | 1 | 12A | 81 BPM | ||
Frédéric Chopin: 24 Préludes, Op. 28: No. 4 in E Minor | Vadim Chaimovich | E Minor | 0 | 9A | 62 BPM | ||
Songs Without Words: No. 2, Andante cantabile | Alexei Stanchinsky, Olga Solovieva | D Minor | 0 | 7A | 128 BPM | ||
Auf dem Wasser zu singen (Arr. Franz Liszt) | Franz Schubert | D♭ Minor | 1 | 12A | 69 BPM | ||
Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | ||
El Albaicin from Iberia | Arthur Rubinstein | B♭ Minor | 1 | 3A | 87 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
The Seasons, Op. 37a: VI. June, Barcarolle | Pyotr Ilyich Tchaikovsky, Axel Gillison | D Minor | 0 | 7A | 140 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 0 | 9B | 175 BPM |
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