"Nocturne No. 18 in G Sharp Minor" by Stephan Beneking was released on May 1, 2015. With Nocturne No. 18 in G Sharp Minor being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 24 Nocturnes for young Pianists, so we believe that "Nocturne No. 18 in G Sharp Minor" is a single. Nocturne No. 18 in G Sharp Minor is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Nocturne No. 18 in G Sharp Minor by Stephan Beneking is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
18 Études, Op. 109: No. 18, Le fileuse | Franz Burgmüller, Carl Petersson | D Major | 1 | 10B | 97 BPM | ||
Satie: Sports et divertissements: No. 17, Le tango perpétuel | Erik Satie, Bertrand Chamayou | G Minor | 0 | 6A | 170 BPM | ||
Nocturne No. 15 In C Major | Benjamin Frith, John Field | G Major | 0 | 9B | 143 BPM | ||
Preludes, Book 1: No. 5. Les collines d'Anacapri | Claude Debussy, Catherine Kautsky | A♭ Major | 1 | 4B | 71 BPM | ||
Sonatine in C Major WoO. 51: II. Adagio | Ludwig van Beethoven, Irene Cantos | E♭ Major | 0 | 5B | 74 BPM | ||
Les deux pigeons, Act I: Valse (Bourre Point) | André Messager, Elena Baliakhova | A Major | 1 | 11B | 170 BPM | ||
Arietta - W.A. Mozart | Markus Porsklev | F Major | 0 | 7B | 98 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky" (Excerpts Arr. P. Breiner for Piano): II. Poco adagio | Antonín Dvořák, Peter Breiner | D♭ Minor | 0 | 12A | 126 BPM | ||
Pastels, Op. 3: No. 3 Song of Autumn | Aleksandr Gretchaninov, Jeremy Cullen | E♭ Major | 2 | 5B | 99 BPM | ||
Ballades, Op. 10: Ballade No. 1, "Edward" in D Minor - Duo-Art 5931 | Johannes Brahms, Peter Phillips, Lester Donahue | C Major | 0 | 8B | 68 BPM |
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