Ludwig van Beethoven, Irene Cantos's 'Sonatine in C Major WoO. 51: II. Adagio' came out on March 12, 2024. The duration of Sonatine in C Major WoO. 51: II. Adagio is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Sonatine in C Major WoO. 51: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 34 in Echos. Piano Works by Beethoven & Rachmaninoff by Irene Cantos, Ludwig van Beethoven, Sergei Rachmaninoff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonatine in C Major WoO. 51: II. Adagio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonatine in C Major WoO. 51: II. Adagio by Ludwig van Beethoven, Irene Cantos is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 in F Minor, Op. 2 No. 1, op. 2/1: II. Adagio | Ludwig van Beethoven, Solomon | F Major | 0 | 7B | 82 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM | ||
Trio n°3, Op. 1: IV. Finale prestissimo | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | D Minor | 2 | 7A | 88 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |
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