"Preludes, Book 1: No. 5. Les collines d'Anacapri" by Claude Debussy, Catherine Kautsky was released on September 9, 2014. The duration of Preludes, Book 1: No. 5. Les collines d'Anacapri is about 3 minutes long, at 3:04. Based on our data, "Preludes, Book 1: No. 5. Les collines d'Anacapri" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 24 in Debussy: Préludes for Piano by Claude Debussy, Catherine Kautsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Preludes, Book 1: No. 5. Les collines d'Anacapri is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preludes, Book 1: No. 5. Les collines d'Anacapri by Claude Debussy, Catherine Kautsky is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Sonatina in G Major: I. Andantino | Edward Elgar, Ashley Wass | G Major | 0 | 9B | 72 BPM | ||
Partita pour Piano: II. Notturno. Andantino | Germaine Tailleferre, Cristina Ariagno | A Minor | 0 | 8A | 71 BPM | ||
3 Tone-Pictures, Op. 5 (version for piano): No. 1. The Lake at Evening | Charles Griffes, Solungga Fang-Tzu Liu | E Major | 0 | 12B | 64 BPM | ||
Adveniat IIII in E Minor | Stephan Beneking, Elizabeth Erin | D Minor | 1 | 7A | 125 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 3, Pleasant Countryside. Moderato | Bedřich Smetana, Jitka Čechová | D♭ Major | 0 | 3B | 77 BPM | ||
Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 62 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Rondo Capriccioso In e Minor Opus 14 | Felix Mendelssohn, Bertrand Chamayou | E Major | 1 | 12B | 182 BPM | ||
Mouvements perpétuels, n°3 alerte | Francis Poulenc, Alexandre Tharaud | D Minor | 1 | 7A | 67 BPM |
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