"Fauré: Requiem, Op. 48: V. Agnus Dei" by Gabriel Fauré, Arleen Auger, Benjamin Luxon, John Butt, Choir of King's College, Cambridge, English Chamber Orchestra, Philip Ledger was released on 1998. With this song being about 5 minutes long, at 5:24, "Fauré: Requiem, Op. 48: V. Agnus Dei" by Gabriel Fauré, Arleen Auger, Benjamin Luxon, John Butt, Choir of King's College, Cambridge, English Chamber Orchestra, Philip Ledger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 19 in Fauré: Requiem, etc. by Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra. Based on our statistics, Fauré: Requiem, Op. 48: V. Agnus Dei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: V. Agnus Dei by Gabriel Fauré, Arleen Auger, Benjamin Luxon, John Butt, Choir of King's College, Cambridge, English Chamber Orchestra, Philip Ledger is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
9 Préludes, Op. 103: No. 3 in G Minor | Gabriel Fauré, Lucas Debargue | E♭ Major | 0 | 5B | 68 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM |
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