"Requiem (Version for Choir, Cello, Percussion & Organ): V. Rex Tremendae" by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston was released on March 20, 2020. The duration of Requiem (Version for Choir, Cello, Percussion & Organ): V. Rex Tremendae is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Requiem (Version for Choir, Cello, Percussion & Organ): V. Rex Tremendae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Rob Johnston's "Matthew Coleridge: Requiem" album is number 5 out of 7. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem (Version for Choir, Cello, Percussion & Organ): V. Rex Tremendae is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem (Version for Choir, Cello, Percussion & Organ): V. Rex Tremendae by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater Dolorosa | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, George Nicholls | C Major | 0 | 8B | 138 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
God Is Our Refuge | Wolfgang Amadeus Mozart | G Minor | 0 | 6A | 76 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM |
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