Gerald Barry, Joshua Bloom, Barbara Hannigan, Benjamin Bevan, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act II: He's Going to Send Me Away (Live)" was released on its scheduled release date, November 4, 2014. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 17 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act II: He's Going to Send Me Away (Live) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act II: He's Going to Send Me Away (Live) by Gerald Barry, Joshua Bloom, Barbara Hannigan, Benjamin Bevan, Birmingham Contemporary Music Group, Thomas Adès to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Agnes von Hohenstaufen | Gerald Barry, Thalia Myers | C Major | 1 | 8B | 131 BPM | ||
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: I. Grave | Georg Philipp Telemann, Hille Perl | A♭ Minor | 1 | 1A | 104 BPM | ||
Andante et rondo op.25 | Claudi Arimany, Shigenori Kudo, Alan Branch | A Minor | 2 | 8A | 115 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Dance Works (Pt. 1) | Steve Martland, Gordon McPherson, Gerald Barry, Hanna Kulenty, Orkest De Volharding, Jurjen Hempel | F Major | 8 | 7B | 147 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM |