Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell) - Aaron Copland, Leo Smit Information

"Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell)" by Aaron Copland, Leo Smit was released on 1979. The duration of Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 24 in Copland: The Complete Music For Solo Piano by Aaron Copland, Leo Smit. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell) BPM

The tempo marking of Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell) by Aaron Copland, Leo Smit is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell) Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.