"Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande" by Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 2002. Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 32 in the song's album "Telemann: Sinfonia Spirituosa; String Concertos". In this album, this song's track order is #6. Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande by Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mariä Wiegenlied, Op. 76/52 | Max Reger, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | A♭ Major | 1 | 4B | 86 BPM | ||
L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": L’enfance du Christ, Op. 25: The shepherds' farewell | Hector Berlioz, The Cambridge Singers, City of London Sinfonia, John Rutter | E Major | 0 | 12B | 81 BPM | ||
The Nutcracker, Op. 71: Act I: Tableau, Bild 1 - Scene: Decorating The Christmas Tree | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | D Major | 1 | 10B | 83 BPM | ||
Ave Maria | Robert Parsons, Choir of St. John's College, Cambridge, Christopher Robinson | A♭ Major | 1 | 4B | 72 BPM | ||
Schlittschuhläufer-Walzer, Op. 183 | Émile Waldteufel, phil Blech Wien, Anton Mittermayr | A♭ Major | 1 | 4B | 107 BPM | ||
Messiah: Part 3, If God be for us, who can be against us? (Air, soprano) | The Sixteen | B Major | 2 | 1B | 82 BPM | ||
Christmas Oratorio, BWV 248, Part I: I. Jauchzet, frohlocket! | Johann Sebastian Bach, Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig, Theo Adam, Peter Schreier, Annelies Burmeister, Arleen Auger | E Minor | 3 | 9A | 120 BPM | ||
Oratorio de Noel, Op. 12: Tollite hostias (Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Mainz Bach Choir, Mainz Bach Orchestra, Diethard Hellmann | G Major | 2 | 9B | 105 BPM | ||
In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff | Johann Sebastian Bach, Wilhelm Kempff | G Major | 0 | 9B | 65 BPM | ||
The Lamb | John Tavener, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 74 BPM |
Section: 0.6860692501068115
End: 0.6898279190063477