"Messiah: Part 3, If God be for us, who can be against us? (Air, soprano)" by The Sixteen was released on September 1, 2008. With this song being about 5 minutes long, at 4:53, "Messiah: Part 3, If God be for us, who can be against us? (Air, soprano)" by The Sixteen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Sixteen's "Handel: Messiah" album is number 29 out of 56. On top of that, United Kingdom appears to be the country where this track was created. Messiah: Part 3, If God be for us, who can be against us? (Air, soprano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 3, If God be for us, who can be against us? (Air, soprano) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers of 1610: Laudate pueri | Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Simon Berridge, Jeremy Budd, Ben Davies, Eamonn Dougan, Harry Christophers, The Sixteen | G Major | 1 | 9B | 72 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Blest Pair of Sirens | Hubert Parry, Choir of St. John's College, Cambridge, Andrew Nethsingha | C Minor | 2 | 5A | 74 BPM | ||
Greater Love Hath No Man | John Ireland, The Sixteen, Harry Christophers | D Major | 1 | 10B | 83 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
Cantata VII: Ad faciem (To the Face): Dum me mori est necesse - Alto | The Sixteen | B Minor | 0 | 10A | 79 BPM |
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