"In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff" by Johann Sebastian Bach, Wilhelm Kempff was released on January 1, 1994. The duration of In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilhelm Kempff Plays Bach. Transcriptions For Piano by Johann Sebastian Bach, Wilhelm Kempff. The song's track number on the album is #6 out of 60 tracks. In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff by Johann Sebastian Bach, Wilhelm Kempff has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A La Joy To The World | EMH Classical Music / Czech Symphony Chamber Group | D Major | 3 | 10B | 115 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Pour bercer un convalescent for Two Pianos: III. Andantino espressivo | Reynaldo Hahn, Tal & Groethuysen | A Major | 0 | 11B | 56 BPM | ||
Suite d'Abdelazer: or, the moor's revenge: Rondeau | Henry Purcell, Ensemble Orchestral Harmonia Nova & Didier Bouture, Didier Bouture, Ensemble Orchestral Harmonia Nova | D Minor | 0 | 7A | 92 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: No. 1 Chor: "Wachet auf, ruft uns die Stimme" | Johann Sebastian Bach, Anthony Robson, Richard Earle, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 180 BPM | ||
In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff | Johann Sebastian Bach, Wilhelm Kempff | G Major | 0 | 9B | 65 BPM | ||
Concerto Grosso In C Major, Op. 6, No. 10: IV. Corrente: Vivace | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | C Major | 2 | 8B | 94 BPM | ||
Piano Sonata, Op. 47: I. Praeambulum | Wilhelm Kempff, Idil Biret | G Minor | 1 | 6A | 97 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
Section: 0.6196610927581787
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