"Jeux d'enfants, Op. 22: No. 7, Les bulles de savon" by Georges Bizet, Katia Labèque, Marielle Labèque was released on January 13, 2024. With Jeux d'enfants, Op. 22: No. 7, Les bulles de savon being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 19th Century Classical, so we believe that "Jeux d'enfants, Op. 22: No. 7, Les bulles de savon" is a single. Jeux d'enfants, Op. 22: No. 7, Les bulles de savon is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Jeux d'enfants, Op. 22: No. 7, Les bulles de savon by Georges Bizet, Katia Labèque, Marielle Labèque is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): II. Intermezzo | Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 0 | 5B | 140 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
L'Arlésienne Suite No. 2: L'arlesienne Suite No. 2: IV. Farandole | Ernest Guiraud, Georges Bizet, South West German Radio Kaiserslautern Orchestra, Peter Falk | D Major | 6 | 10B | 79 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM |
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