"L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): II. Intermezzo" by Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony Bramall was released on February 5, 1988. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 20 in Bizet: Carmen Suites Nos. 1 and 2 / L'Arlesienne Suites Nos. 1 and 2 by Georges Bizet, Slovak Philharmonic, Anthony Bramall. Based on our statistics, L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): II. Intermezzo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): II. Intermezzo by Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony Bramall is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act II Scene 1: Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 2 | 8B | 113 BPM | ||
Melodrame de Piccolino | Ernest Guiraud, Jacques Thibaud, Studio pianist | E Major | 3 | 12B | 83 BPM | ||
William Tell - Edition by: Fondazione Rossini, in coop. with G. Ricordi & Cie/ Ed. by M.E.C. Bartlet/Reconstr. of the Italian: P. Cattelan: Overture - Finale | Gioachino Rossini, Orchestra Filarmonica Della Scala, Riccardo Chailly | E Major | 5 | 12B | 166 BPM | ||
Napoli: Act III: Tarantella | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | D Major | 1 | 10B | 147 BPM | ||
Quadrille No. 1 in F Minor | Michal Kleofas Oginski, Belarus Chamber Orchestra of the National Academic Concert Orchestra of Belarus | F Minor | 3 | 4A | 121 BPM | ||
How pleased we are | Peter Deunov, Monte-Carlo Philharmonic Orchestra | E Major | 4 | 12B | 97 BPM | ||
Coppelia Ballet Suite: Music of the Automata and Waltz | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 1 | 12B | 122 BPM | ||
Otoño Porteño (Buenos Aires Autumn) | The Royal Wind Music | F♯ Major | 1 | 2B | 113 BPM |
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