"Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Wacht auf! Es nahet gen den Tag"" by Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1976. The duration of Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Wacht auf! Es nahet gen den Tag" is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Wacht auf! Es nahet gen den Tag"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Die Meistersinger Von Nurnberg by Richard Wagner, Norman Bailey, Bernd Weikl, René Kollo, Hannelore Bode, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #4 out of 42 tracks. Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Wacht auf! Es nahet gen den Tag" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Wacht auf! Es nahet gen den Tag" by Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti has a tempo of 60 beats per a minute, the tempo markings of this song would be Lento (slowly). With Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Wacht auf! Es nahet gen den Tag" being at 60 BPM, the half-time would be 30 BPM with a double-time of 120 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jenufa / Act 2: Ba zabednena t tvoye okenicka | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | A Minor | 2 | 8A | 74 BPM | ||
Die Walküre, WWV 86B / Act III: "Nicht streb, o Maid, den Mut mir zu stören" | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 92 BPM | ||
Du sollt Gott, deinen Herren, lieben, BWV 77: Chorale: Herr, durch den Glauben wohn in mir (Chorus) | Johann Sebastian Bach, Helen Donath, Julia Hamari, Adalbert Kraus, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Major | 1 | 9B | 71 BPM | ||
Pelléas et Mélisande, L. 88 / Act III: "Je les tiens dans les mains" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | E♭ Minor | 1 | 2A | 90 BPM | ||
Mass In C, Op. 86: 3. Credo | Ludwig van Beethoven, Gundula Janowitz, Julia Hamari, Horst Laubenthal, Ernst Gerold Schramm, Münchener Bach-Orchester, Karl Richter, Elmar Schloter, Münchener Bach-Chor | C Major | 1 | 8B | 83 BPM | ||
Rigoletto / Act 2: Tutte le feste al tempio | Giuseppe Verdi, Ileana Cotrubas, Wiener Philharmoniker, Carlo Maria Giulini | C Major | 0 | 8B | 80 BPM | ||
Gott der Herr ist Sonn und Schild, BWV 79: Recitative: Gottlob, wir wissen den rechten Weg (Bass) | Johann Sebastian Bach, Arleen Auger, Julia Hamari, Philippe Huttenlocher, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Major | 1 | 9B | 71 BPM | ||
Giulio Cesare in Egitto HWV 17 / Atto primo: Recitativo "La Reggia Tolomeo t'offre" | George Frideric Handel, Ernst Gerold Schramm, Dietrich Fischer-Dieskau, Peter Schreier, Julia Hamari, Wolfgang Schöne, Münchener Bach-Orchester, Karl Richter | A Major | 3 | 11B | 74 BPM | ||
Il matrimonio segreto / Act 1: Le faccio un inchino | Domenico Cimarosa, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | G Major | 2 | 9B | 95 BPM | ||
King Priam, Act I Scene 2: So I'd hoped it might be (Priam, Old Man) | Michael Tippett, David Atherton, London Sinfonietta, Norman Bailey, David Wilson-Johnson | E♭ Major | 2 | 5B | 135 BPM |
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