"Il matrimonio segreto / Act 1: Le faccio un inchino" by Domenico Cimarosa, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim was released on January 1, 1977. With this song being about 5 minutes long, at 5:18, "Il matrimonio segreto / Act 1: Le faccio un inchino" by Domenico Cimarosa, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 45 in Cimarosa: Il matrimonio segreto by Domenico Cimarosa, English Chamber Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Il matrimonio segreto / Act 1: Le faccio un inchino is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il matrimonio segreto / Act 1: Le faccio un inchino by Domenico Cimarosa, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre | Domenico Cimarosa, Theresia Orchestra, Alessandro De Marchi, Rocco Cavalluzzi, Eleonora Bellocci, Matteo Loi | C Major | 3 | 8B | 107 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Keyboard Sonata No. 44 in E-Flat Major: Allegro | Domenico Cimarosa, Donatella Failoni | C Major | 3 | 8B | 108 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM |
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