Sadko: Song of the Venetian Guest
Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov
Russian Opera Highlights, Vol. 2 - Mussorgsky, M.P. / Rimsky-Korsakov, N.A. / Tchaikovsky, P.I.
4:41 January 1, 2009
BPM
118
Key
G Major
Camelot
9B

Embed

Share Link

Sadko: Song of the Venetian Guest - Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov Information

Acousticness
96%
Danceability
28%
Energy
21%
Instrumentalness
1%
Liveness
27%
Loudness
70%
Speechiness
5%
Valence
10%
Popularity
Loudness
-18.266 dB

Summary

"Sadko: Song of the Venetian Guest" by Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov was released on January 1, 2009. With this song being about 5 minutes long, at 4:41, "Sadko: Song of the Venetian Guest" by Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Russian Opera Highlights, Vol. 2 - Mussorgsky, M.P. / Rimsky-Korsakov, N.A. / Tchaikovsky, P.I.". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Sadko: Song of the Venetian Guest is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sadko: Song of the Venetian Guest BPM

With Sadko: Song of the Venetian Guest by Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Sadko: Song of the Venetian Guest Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Capriccio Espagnol: Alborada by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenCapriccio Espagnol: AlboradaNikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenA Major411B126 BPM
Capriccio Espagnol: Variazioni by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenCapriccio Espagnol: VariazioniNikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenF Major17B81 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto by Ludwig van Beethoven, Berliner Philharmoniker, Kirill PetrenkoSymphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno prestoLudwig van Beethoven, Berliner Philharmoniker, Kirill PetrenkoD Major210B105 BPM
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto by Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts LamoureuxLalo: Cello Concerto in D Minor: II. Intermezzo - Allegro prestoÉdouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts LamoureuxC Minor15A75 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo by Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsDouble Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppoJohannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsA Minor28A86 BPM
Songs My Mother Taught Me (from Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)Antonín Dvořák, Yo-Yo Ma, Kathryn StottB Minor010A92 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) by Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsViolin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsA Minor48A91 BPM
ISRC
NLE420502508
Label
L-M Records/RCA Records

Section: 0.6881639957427979

End: 0.6918060779571533