- BPM
- 61
- Key
- B Minor
- Camelot
- 10A
Stabat mater, op.58: 1. Quartetto e Coro "Stabat mater dolorosa" - Antonín Dvořák, Mariana Zvetkova, Ruxandra Donose, Johan Botha, Roberto Scandiuzzi, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli Information
- Acousticness
- 96%
- Danceability
- 8%
- Energy
- 14%
- Instrumentalness
- 89%
- Liveness
- 12%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -18.908 dB
Summary
"Stabat mater, op.58: 1. Quartetto e Coro "Stabat mater dolorosa"" by Antonín Dvořák, Mariana Zvetkova, Ruxandra Donose, Johan Botha, Roberto Scandiuzzi, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli was released on January 1, 2001. Stabat mater, op.58: 1. Quartetto e Coro "Stabat mater dolorosa" appears to be safe for all ages as it is not explicit. The song is number 1 out of 10 in Dvorák: Stabat mater, Op.58 by Antonín Dvořák, Staatskapelle Dresden, Giuseppe Sinopoli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Stabat mater, op.58: 1. Quartetto e Coro "Stabat mater dolorosa" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Stabat mater, op.58: 1. Quartetto e Coro "Stabat mater dolorosa" BPM
The tempo marking of Stabat mater, op.58: 1. Quartetto e Coro "Stabat mater dolorosa" by Antonín Dvořák, Mariana Zvetkova, Ruxandra Donose, Johan Botha, Roberto Scandiuzzi, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Stabat mater, op.58: 1. Quartetto e Coro "Stabat mater dolorosa" Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Requiem: I. Kyrie | Osip Kozlovsky, Galina Simkina, Konstantin Lisovsky, Lydia Chernykh, Valentina Panina, Vladimir Matorin, Moscow Choir of Teachers, Moscow State Choir, Vladimir Yesipov, USSR Ministry of Culture Symphony Orchestra | E♭ Major | 1 | 5B | 110 BPM | |
 | Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM | |
 | Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |
- ISRC
- DEN960000461
- Label
- L-M Records/RCA Records
Section: 0.6864719390869141
End: 0.692096471786499