Richard Allison, Joachim Held made "Passymeasures Galliard" available on June 29, 2010. With Passymeasures Galliard being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joachim Held's "Merry Melancholy: English Lute Music of the 16th Century" album is number 9 out of 25. In terms of popularity, Passymeasures Galliard is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Passymeasures Galliard by Richard Allison, Joachim Held to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Paul Bunyan, Op. 17, Act II, Scene 1: "Helson, Helson" - The Fight - Love Duet - Mock Funeral March - Hymn. "Often thoughts of hate conceal" (Bunyan, Hel, Cronies, Tiny, Slim, Chorus) | Benjamin Britten, Philip Brunelle, Benjamin Allen, Chorus Of The Plymouth Music Series, Clifton Ware, Elisabeth Comeaux, James Bohn, James Lawless, Jay Ramos, Richard Allison, Stanford Felix, Orchestra Of The Plymouth Music Series | F Major | 1 | 7B | 129 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
O Jupiter / O diva sollers virgo | Adam von Fulda, Ciaramella | F♯ Major | 0 | 2B | 67 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Canción del Emperador (Mille Regres) | Luis de Narváez, Juan Carlos Rivera | G Minor | 0 | 6A | 61 BPM | ||
Romanesca o Guardame las Vacas | Alonso Mudarra, Hopkinson Smith | E Minor | 1 | 9A | 113 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM |
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