Francesca Caccini, Flaka Goranci, World Chamber Orchestra's ' "36 Solo Songs & Duets: No. 29, Chi desia di saper (Arr. K. Gostynski for Voice & Chamber Orchestra)" was released on its scheduled release date, October 28, 2022. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. 36 Solo Songs & Duets: No. 29, Chi desia di saper (Arr. K. Gostynski for Voice & Chamber Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Flaka Goranci, World Chamber Orchestra's "La femme: Journey of Female Composers" album is number 17 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, 36 Solo Songs & Duets: No. 29, Chi desia di saper (Arr. K. Gostynski for Voice & Chamber Orchestra)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 36 Solo Songs & Duets: No. 29, Chi desia di saper (Arr. K. Gostynski for Voice & Chamber Orchestra) by Francesca Caccini, Flaka Goranci, World Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Act V Scene 1: Passacaille | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 131 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Médée, H. 491, Prologue: Canaries | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | G Minor | 1 | 6A | 93 BPM | ||
Sartorio: Antonino e Pompeiano, Act 3: "La certezza di sua fede" (Pompeiano) | Antonio Sartorio, Jakub Józef Orliński, Il Pomo D'oro | D Major | 2 | 10B | 127 BPM | ||
Cessez mortels de soupirer | Pierre Guédron, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 109 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Suite En Mi Mineur: Fantaisie, II.97 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 66 BPM |