Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's 'Suite En Mi Mineur: Fantaisie, II.97 (Marais)' came out on January 1, 2003. With Suite En Mi Mineur: Fantaisie, II.97 (Marais) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's "Marin Marais: Pieces De Viole Du Second Livre, 1701" album is number 2 out of 27. Suite En Mi Mineur: Fantaisie, II.97 (Marais) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite En Mi Mineur: Fantaisie, II.97 (Marais) by Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite En Mi Mineur: Rondeau Champêtre, II.104 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 114 BPM | ||
Lamento della ninfa - non havea febo ancora | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | C Major | 1 | 8B | 113 BPM | ||
Suite En Mi Mineur: Sarabande À L'Espagnol, II.101 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 111 BPM | ||
O quam Pulchra | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Minor | 1 | 6A | 74 BPM | ||
Naïs - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Major | 5 | 1B | 125 BPM | ||
Concert XXVII: Bourrasque - Balet | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | E Major | 1 | 12B | 121 BPM | ||
Passacaille en ré mineur | Robert de Visée, Rolf Lislevand | D♭ Minor | 1 | 12A | 92 BPM | ||
Fantasia Que Contrahaze La Harpa De Ludovico | Alonso Mudarra, Hespèrion XXI, Jordi Savall | G Major | 1 | 9B | 91 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
Sinfonia di Guerra (d’après Monteverdi) | Mercedes Ruiz, Xavier Puertas, Manfredo Kraemer, David Plantier, Carlos Garcîa-Bernal, Jordi Savall, Natan Paruzel | G Major | 4 | 9B | 137 BPM |
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