Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La's 'Sonata for 2 Violins, Op. 5, No. 5: I. —' came out on January 1, 2002. With Sonata for 2 Violins, Op. 5, No. 5: I. — being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Giovanni Battista Mazzaferrata, Stefano Montanari's "Mazzaferrata: Primo Libro Delle Sonate A 2 Violini (Il)" album is number 17 out of 49. On top of that, Italy appears to be the country where this track was created. Sonata for 2 Violins, Op. 5, No. 5: I. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for 2 Violins, Op. 5, No. 5: I. — by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
Sinphonia No. 6 for Strings & Continuo in E-Flat Major, Op. 1.12: I. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 105 BPM | ||
Sonata a due violini e basso continuo, Op. 5 No. 4: IV. Presto | Giovanni Battista Mazzaferrata, Europa Galante, Fabio Biondi | B Major | 1 | 1B | 79 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Sonata in D Minor: V. Fugue | Anne Danican Philidor, Héloïse Gaillard, Jeanne Jourquin, Eleanor Lewis | D♭ Minor | 3 | 12A | 115 BPM | ||
Recorder Concerto in F Major, Op. 4/5, HWV 293: II. Allegro | George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner | G Major | 2 | 9B | 107 BPM | ||
Concerto for Violin & Organ in C Major, RV 774 (Reconstructed by F.M. Sardelli): II. Adagio | Antonio Vivaldi, Federico Guglielmo, Roberto Loreggian, Modo Antiquo, Federico Maria Sardelli | B Major | 2 | 1B | 127 BPM |
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