Johann Sebastian Bach, Rochelle Sennet made "French Suite No. 6 in E Major, BWV 817: III.Sarabande" available on February 1, 2024. The duration of French Suite No. 6 in E Major, BWV 817: III.Sarabande is about 3 minutes long, at 3:28. Based on our data, "French Suite No. 6 in E Major, BWV 817: III.Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 79 in Bach to Black: Suites for Piano, Vol. III by Rochelle Sennet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, French Suite No. 6 in E Major, BWV 817: III.Sarabande is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of French Suite No. 6 in E Major, BWV 817: III.Sarabande by Johann Sebastian Bach, Rochelle Sennet is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace | Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens | D Minor | 2 | 7A | 86 BPM | ||
Nocturne No. 9 In B, Op. 32 No. 1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 80 BPM | ||
Sonata in B Minor, K. 87: Andante | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM |
Section: 0.5783751010894775
End: 0.5824542045593262