"The Sleeping Beauty, Op. 66 : Act I, No.7 Scene" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko was released on January 1, 2003. The duration of The Sleeping Beauty, Op. 66 : Act I, No.7 Scene is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66 : Act I, No.7 Scene's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Sleeping Beauty (complete) Vol. 1". In this album, this song's track order is #16. Based on our statistics, The Sleeping Beauty, Op. 66 : Act I, No.7 Scene's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Act I, No.7 Scene by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mephistos Höllenrufe, Walzer, Op. 101 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 99 BPM | ||
The Sleeping Beauty, Op. 66 : Act II, No.15 c) Coda | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | G Minor | 3 | 6A | 134 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
Sylvia: Cortege de Bacchus | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E Major | 2 | 12B | 112 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scherzo Polka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 82 BPM | ||
Symphony No. 3 in E flat, Op. 97 - "Rhenish": 3. Nicht schnell | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | D Major | 2 | 10B | 86 BPM |
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