"Makrokosmos: No. 7, Libra. Music of Shadows for Aeolian Harp" by George Crumb, Stephanos Thomopoulos was released on March 16, 2018. With Makrokosmos: No. 7, Libra. Music of Shadows for Aeolian Harp being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 24 in Crumb: Makrokosmos by George Crumb, Stephanos Thomopoulos. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Makrokosmos: No. 7, Libra. Music of Shadows for Aeolian Harp is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Makrokosmos: No. 7, Libra. Music of Shadows for Aeolian Harp by George Crumb, Stephanos Thomopoulos is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
Chants de Terre et de Ciel: No. 3, Danse du bébé-pilule (pour mon petit Pascal) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
Autogamie Version 4 für Fagott, live-Elektronik und elektronische Zuspielung | Sascha Janko Dragicevic, Enno Poppe, Pierluigi Billone, Franck Bedrossian, Johannes Schwarz, Ensemble Modern | A Major | 4 | 11B | 174 BPM | ||
Makrokosmos: No. 22, Aquarius. Voices from Corona Borealis | George Crumb, Stephanos Thomopoulos | A♭ Major | 0 | 4B | 116 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 3. Phlegmatisch. Moderato | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | F Minor | 1 | 4A | 135 BPM | ||
#1.SUEDE - Home | Roro Piano | D Major | 0 | 10B | 132 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM |
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