Sofia Philharmonic Orchestra's 'Symphony No. 8 in G Major, Op. 88: 2. Adagio' came out on July 24, 2011. Symphony No. 8 in G Major, Op. 88: 2. Adagio appears to be safe for all ages as it is not explicit. The song is number 2 out of 4 in Antonin Dvorak: Symphony No. 8 in G Major, Op. 88 by Sofia Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Bulgaria. Based on our statistics, Symphony No. 8 in G Major, Op. 88: 2. Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 8 in G Major, Op. 88: 2. Adagio by Sofia Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part II: Final Scene from Faust: Blicket auf zum Retterblick, alle reuig Zarten | Gustav Mahler, Janos Bandi, Lyudmila Hadzhieva, Bulgarian National Svetoslav Obretenov Choir, Bulgarian Radio Chorus, Bulgarian Radio Children's Choir, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 1 | 5B | 84 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Lohengrin, WWV 75, Act III: Bridal Chorus | Richard Wagner, Sofia Philharmonic Orchestra, Georgi Robev, Bulgarian National Choir | B♭ Major | 0 | 6B | 73 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato | Johannes Brahms, Dimitris Sgouros, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 88 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Zadok the Priest (Coronation Anthem No.1, HWV 258) | George Frideric Handel, Carl Davis, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, The King's Division Normandy Band | D Major | 1 | 10B | 99 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM |
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