"Stockholms Kantat, Pt. 2: XIII. Nattlig duett" by Johan Hammerth, Katarina Dalayman, Loa Falkman, Swedish Radio Symphony Orchestra, Leif Segerstam was released on May 1, 2011. Since Stockholms Kantat, Pt. 2: XIII. Nattlig duett is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johan Hammerth, Leif Segerstam, Swedish Radio Choir, Eric Ericson Chamber Choir's "Hammerth: Stockholms Kantat" album is number 12 out of 13. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Stockholms Kantat, Pt. 2: XIII. Nattlig duett is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stockholms Kantat, Pt. 2: XIII. Nattlig duett by Johan Hammerth, Katarina Dalayman, Loa Falkman, Swedish Radio Symphony Orchestra, Leif Segerstam to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude No. 5 | Johan Hammerth, Stefan Lindgren | F Major | 1 | 7B | 67 BPM | ||
Lamentations Of Jeremiah | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Prelude No. 13 | Johan Hammerth, Stefan Lindgren | D Minor | 1 | 7A | 76 BPM | ||
Best Room | Nicolas Fayolle | B♭ Major | 1 | 6B | 85 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus | C Major | 0 | 8B | 127 BPM | ||
People, Look East | Harry Bramma, Choir Of All Saints Margaret Street London, Henry Parkes, Paul Brough | E♭ Major | 1 | 5B | 132 BPM |
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