"Prelude No. 5" by Johan Hammerth, Stefan Lindgren was released on March 1, 2011. Since Prelude No. 5 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Piano Preludes, Vol. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Prelude No. 5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude No. 5 by Johan Hammerth, Stefan Lindgren having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM | ||
Regementets marsch (Norrbottens regemente) | Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman | A♭ Major | 4 | 4B | 152 BPM | ||
Collect Lilac Flowers | Winfred Jeremiah | E♭ Major | 2 | 5B | 66 BPM | ||
Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
Prelude No. 26 | Johan Hammerth, Stefan Lindgren | D Minor | 1 | 7A | 104 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | ||
Bachianas brasileiras No. 1: I. Introduction: Embolada | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | G Minor | 1 | 6A | 91 BPM | ||
Sörmländsk Concertino (Sörmlandia), Op. 114j: I. — (tune after Klockare Alin, Västerhaninge) | Stellan Sagvik, Gabriel Posdarescu, Filarmonica de Cluj | D Major | 3 | 10B | 77 BPM | ||
Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: III. Lento | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Minor | 0 | 2A | 70 BPM |
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