Theodora, HWV 68, Pt. I: Recitative. Unhappy Happy Crew! - George Frideric Handel, Arcangelo, Jonathan Cohen, Tim Mead, Anna Stephany Information

Acousticness: 96%
Danceability: 51%
Energy: 11%
Instrumentalness: 0%
Liveness: 25%
Loudness: 63%
Speechiness: 8%
Valence: 20%
Popularity: 0%
Loudness: -22.466 dB

Summary

George Frideric Handel, Arcangelo, Jonathan Cohen, Tim Mead, Anna Stephany's 'Theodora, HWV 68, Pt. I: Recitative. Unhappy Happy Crew!' came out on February 23, 2024. With Theodora, HWV 68, Pt. I: Recitative. Unhappy Happy Crew! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Arcangelo, Jonathan Cohen's "Handel: Theodora, HWV 60" album is number 27 out of 78. On top of that, France appears to be the country where this track was created. Theodora, HWV 68, Pt. I: Recitative. Unhappy Happy Crew! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Theodora, HWV 68, Pt. I: Recitative. Unhappy Happy Crew! BPM

We consider the tempo marking of Theodora, HWV 68, Pt. I: Recitative. Unhappy Happy Crew! by George Frideric Handel, Arcangelo, Jonathan Cohen, Tim Mead, Anna Stephany to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Theodora, HWV 68, Pt. I: Recitative. Unhappy Happy Crew! Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie	Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick	B♭ Major	2	6B	99 BPM
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Concerto in F Major, Seibel 234: 3. Un poco Allegro	Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel	E Major	0	12B	99 BPM
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Major	1	4B	181 BPM
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Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio	Alessandro Marcello, Venice Baroque Orchestra	D♭ Minor	0	12A	79 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	2	5A	176 BPM
Symphony in A Major, J-C 62: II. Andante e pianissimo	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	A♭ Minor	0	1A	104 BPM

ISRC: FR50X2302527
Label: L-M Records/RCA Records

Section: 0.6583220958709717

End: 0.6632442474365234