"Götterdämmerung, Prelude: I. Prelude" by Wilhelm Furtwängler was released on May 31, 2000. The duration of Götterdämmerung, Prelude: I. Prelude is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Götterdämmerung, Prelude: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Götterdämmerung by Wilhelm Furtwängler. The song's track number on the album is #1 out of 35 tracks. Based on our statistics, Götterdämmerung, Prelude: I. Prelude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, Prelude: I. Prelude by Wilhelm Furtwängler has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Götterdämmerung, Prelude: I. Prelude being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concerto in C Minor, Op. 8: III. Temo primo | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | C Major | 2 | 8B | 118 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
Cherubini: Medea, Act 2: Introduction | Luigi Cherubini, Orchestra del Teatro alla Scala Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 82 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Siegfried, Act III: V. "Heil dir, Sonne! Heil dir, Licht!" (Brünnhilde) | Wilhelm Furtwängler | C Major | 3 | 8B | 87 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 2. Variation 1. Poco più animato | Wilhelm Furtwängler | B♭ Major | 4 | 6B | 112 BPM | ||
The Wand of Youth (Music to a Child's Play), Suite No.1, Op.1a: I. Overture (Allegro molto) | Edward Elgar, Hallé, Sir Mark Elder | B♭ Major | 2 | 6B | 74 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A-Flat | Antonín Dvořák, Berliner Philharmoniker, Wilhelm Furtwängler | D Major | 1 | 10B | 91 BPM |
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