"Waltz from Faust" by London Symphony Orchestra was released on January 11, 2010. The duration of Waltz from Faust is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Waltz from Faust's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #15. Waltz from Faust is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waltz from Faust by London Symphony Orchestra having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 2: No. 30, Grand Waltz (Allegretto) | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Minor | 1 | 7A | 83 BPM | ||
La Bayadere: Variation 3: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM |
Section: 0.7846589088439941
End: 0.7894666194915771