Giovanni Bononcini, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest's 'Stabat Mater - Ed. Smith: 13. Quando corpus morietur' had a release date set for March 7, 1978. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 15 in Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus by Giovanni Bononcini, George Guest, Felicity Palmer, Philip Langridge, Paul Esswood, Christopher Keyte, Choir of St. John's College, Cambridge, London Philharmonic Orchestra. Based on our statistics, Stabat Mater - Ed. Smith: 13. Quando corpus morietur's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater - Ed. Smith: 13. Quando corpus morietur by Giovanni Bononcini, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Pour vous dont je reçois et l'encens et les vœux | Jean-Marie Leclair, d’Albaret, Hasnaa Bennani, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Major | 2 | 3B | 93 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Recueil d’airs détachés et d’airs de violons, Cinquième Suite: III. Air | Michel Richard Delalande, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
A Young Man's Exhortation, Op. 14: No. 6, Shortening Days - Arr. for Voice and String Quartet by Arthur Keegan | Gerald Finzi, Lotte Betts-Dean, Ligeti Quartet | D Minor | 1 | 7A | 83 BPM | ||
La conversione di Maddalena, Pt. 2: No. 32, Fila d'oro | Giovanni Bononcini, La Venexiana, Matteo Belloto, Gabriele Palomba | E Major | 1 | 12B | 54 BPM | ||
Missa S. Marcellini: VI. Domine Deus - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | B♭ Minor | 1 | 3A | 77 BPM |