"Symphony No. 8 in C minor, Op. 65: 1. Adagio" by Dmitri Shostakovich, Royal Philharmonic Orchestra, Vladimir Ashkenazy had its release date on January 1, 1993. This song appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Shostakovich: Symphony No.8/Funeral and Triumphal Prelude/Novorosslisk Chimes". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Symphony No. 8 in C minor, Op. 65: 1. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 8 in C minor, Op. 65: 1. Adagio by Dmitri Shostakovich, Royal Philharmonic Orchestra, Vladimir Ashkenazy having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35 (Arr. T. Dokshizer & P. Merkelo for Trumpet, Piano & String Orchestra): III. Moderato | Dmitri Shostakovich, Jae-hyuck Cho, Paul Merkelo, Russian National Orchestra, Hans Graf | A♭ Major | 1 | 4B | 73 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): III. Allegro non troppo | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Minor | 0 | 5A | 98 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 1 | 10B | 102 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM |