"Glory Be to Jesus (Arr. Michael Leighton Jones)" by The Choir of Trinity College, Melbourne, Michael Leighton Jones was released on November 9, 2012. The duration of Glory Be to Jesus (Arr. Michael Leighton Jones) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Glory Be to Jesus (Arr. Michael Leighton Jones)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "Glory Be to Jesus (Arr. Michael Leighton Jones)" is a single. Glory Be to Jesus (Arr. Michael Leighton Jones) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Glory Be to Jesus (Arr. Michael Leighton Jones) by The Choir of Trinity College, Melbourne, Michael Leighton Jones is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christe Qui Lux Es Et Dies: II. — | Robert White, The Choir of Trinity College, Melbourne, Christopher Watson | G Minor | 0 | 6A | 81 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Second Antiphon - Arch. Matthew | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | G Major | 1 | 9B | 90 BPM | ||
Thou Art All Things | Margaret Rizza, Kevin Mayhew Ltd | G Minor | 0 | 6A | 79 BPM | ||
This Advent Moon | Matthew Whittall, Lumen Valo | E Major | 1 | 12B | 85 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | ||
Franconia "Blest Are the Pure in Heart" | Johann Georg Ebeling, Johann Balthasar Konig, The Chapel Choir of Selwyn College, Cambridge, Timothy Morgan, Daveth Clark, Sarah MacDonald | A Major | 0 | 11B | 80 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 100 BPM | ||
Verbum Supernum Prodiens | Millikin University Choir | D Minor | 1 | 7A | 131 BPM | ||
Cum Angelis Et Pueris | William Ferris Chorale | G Major | 2 | 9B | 86 BPM |
Section: 0.6278829574584961
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