City Of Birmingham Symphony Orchestra, Sir Mark Elder made "Hamlet Op. 32 - 1932 Production - Act IV - Fortinbras' trumpet calls" available on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act IV - Fortinbras' trumpet calls being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #21. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act IV - Fortinbras' trumpet calls is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Hamlet Op. 32 - 1932 Production - Act IV - Fortinbras' trumpet calls by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": III. Hankin Booby | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 2 | 6B | 65 BPM | ||
Requiem, Op. 63: Va. Offertorium: Domine Jesu Christe – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | C Major | 2 | 8B | 67 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IX. Höchste Herrscherin der Welt! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Jon Villars, London Symphony Chorus | E Major | 2 | 12B | 66 BPM | ||
"Hamlet" - music from the film: In the Garden | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E♭ Major | 0 | 5B | 73 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM |
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