"Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Ritual of the Rival Tribes" by Igor Stravinsky, Berliner Philharmoniker, Sir Simon Rattle was released on March 25, 2013. With Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Ritual of the Rival Tribes being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Stravinsky: Le Sacre du printemps". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Ritual of the Rival Tribes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Ritual of the Rival Tribes by Igor Stravinsky, Berliner Philharmoniker, Sir Simon Rattle having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes - Live | Igor Stravinsky, Lucerne Festival Orchestra, Riccardo Chailly | A♭ Minor | 3 | 1A | 104 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM |
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