Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia
Johann Sebastian Bach, Gillian Keith, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Bach: Cantatas, Vol. 12
4:04 October 26, 2010
BPM
167
Key
E Major
Camelot
12B

Embed

Share Link

Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia - Johann Sebastian Bach, Gillian Keith, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information

Acousticness
96%
Danceability
39%
Energy
21%
Instrumentalness
78%
Liveness
31%
Loudness
64%
Speechiness
4%
Valence
78%
Popularity
Loudness
-21.635 dB

Summary

Johann Sebastian Bach, Gillian Keith, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia" available on October 26, 2010. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. The popularity of Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia BPM

The tempo marking of Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia by Johann Sebastian Bach, Gillian Keith, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Falsche Welt, dir trau ich nicht, BWV 52: Sinfonia Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) by Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque OrchestraConcerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro)Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque OrchestraA♭ Minor51A98 BPM
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 2. Largo by Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque OrchestraConcerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 2. LargoJohann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque OrchestraF♯ Major22B123 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre by François Couperin, Iddo Bar-ShaïLe Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livreFrançois Couperin, Iddo Bar-ShaïC Major38B145 BPM
Ouverture in D Major, Ouverture in D Major, "Darmstadt": HarlequinadeGeorg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-BruhlD♭ Major13B174 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante by Ludwig van Beethoven, Mischa Maisky, Martha ArgerichSonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. AndanteLudwig van Beethoven, Mischa Maisky, Martha ArgerichC Major08B66 BPM
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I by John Shrapnel, Jeremy Siepmann, Johann Sebastian BachMusic: Prelude In E Flat Minor - The Well-tempered Clavier, Book IJohn Shrapnel, Jeremy Siepmann, Johann Sebastian BachA♭ Minor01A139 BPM
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song)Felix Mendelssohn, Péter NagyG Minor06A72 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette by Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold KuijkenSinfonia melodica in C Major, TWV 50:2: VI. ChaconnetteGeorg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold KuijkenA♭ Major34B140 BPM
Lo frate 'nnamorato: II. Andante by Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoLo frate 'nnamorato: II. AndanteGiovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoE Minor59A165 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5665974617004395

End: 0.5703549385070801