"Piano Concerto in A Minor, Op. 7: I. Allegro maestoso" by Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein was released on September 29, 2009. Piano Concerto in A Minor, Op. 7: I. Allegro maestoso is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Schumann, C.: Piano Concerto, Op. 7 / Piano Trio, Op. 17 / 3 Romanzen". In this album, this song's track order is #1. In terms of popularity, Piano Concerto in A Minor, Op. 7: I. Allegro maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in A Minor, Op. 7: I. Allegro maestoso by Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante | Wolfgang Amadeus Mozart, Matthias Kirschnereit, Bamberg Symphony, Frank Beermann | F Major | 0 | 7B | 70 BPM | ||
Soirees musicales, Op. 6: No. 2. Notturno in F Major | Clara Schumann, Jozef De Beenhouwer | F Major | 0 | 7B | 74 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM |
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