- BPM
- 94
- Key
- D♭ Minor
- Camelot
- 12A
La clemenza di Tito / Act 1: "Ah perdona al primo affetto" - Wolfgang Amadeus Mozart, Barbara Bonney, Diana Montague, Academy of Ancient Music, Christopher Hogwood Information
- Acousticness
- 98%
- Danceability
- 36%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 28%
- Loudness
- 61%
- Speechiness
- 6%
- Valence
- 11%
- Popularity
- 8%
- Loudness
- -23.57 dB
Summary
"La clemenza di Tito / Act 1: "Ah perdona al primo affetto"" by Wolfgang Amadeus Mozart, Barbara Bonney, Diana Montague, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1995. The duration of La clemenza di Tito / Act 1: "Ah perdona al primo affetto" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. La clemenza di Tito / Act 1: "Ah perdona al primo affetto"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Uwe Heilmann, Cecilia Bartoli, Barbara Bonney, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood's "Mozart: La Clemenza di Tito" album is number 15 out of 53. In terms of popularity, La clemenza di Tito / Act 1: "Ah perdona al primo affetto" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La clemenza di Tito / Act 1: "Ah perdona al primo affetto" BPM
We consider the tempo marking of La clemenza di Tito / Act 1: "Ah perdona al primo affetto" by Wolfgang Amadeus Mozart, Barbara Bonney, Diana Montague, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
La clemenza di Tito / Act 1: "Ah perdona al primo affetto" Key
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Minor | 0 | 5A | 69 BPM | |
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | |
 | Missa Brevis In B Flat Major Kv 275: Kyrie | Nicol Matt, Anja Bittner, Jens Wollenschläger, Reinhard Geller, Gabriele Wunderer, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Robert Morvaj, Manfred Bittner | B♭ Major | 2 | 6B | 84 BPM | |
| Missa Brevis In C Major Kv 259, Orgelsolo Messe: Gloria | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 2 | 8B | 122 BPM | |
 | The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers | C Major | 2 | 8B | 102 BPM | |
 | Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | |
 | Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act II: "Ach, ich fühl's" (Pamina) | Wolfgang Amadeus Mozart, Natalie Dessay, Louis Langrée, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | |
| Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | |
 | Le nozze di Figaro, K.492 / Act 1: "Tutto anchor no ho perso" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | A Major | 1 | 11B | 64 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6156933307647705
End: 0.6206326484680176