Nicol Matt, Anja Bittner, Jens Wollenschläger, Reinhard Geller, Gabriele Wunderer, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Robert Morvaj, Manfred Bittner's 'Missa Brevis In B Flat Major Kv 275: Kyrie' came out on March 28, 2007. With Missa Brevis In B Flat Major Kv 275: Kyrie being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nicol Matt's "Mozart Edition Volume 15" album is number 1 out of 144. Missa Brevis In B Flat Major Kv 275: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Brevis In B Flat Major Kv 275: Kyrie by Nicol Matt, Anja Bittner, Jens Wollenschläger, Reinhard Geller, Gabriele Wunderer, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Robert Morvaj, Manfred Bittner to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Credo | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 3 | 8B | 100 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Se a caso Madama la notte ti chiama" | Wolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 2 | 6B | 123 BPM | ||
Divertimento In B Flat Major Kv 186: Allegro Assai | Arts Music Recording, Rotterdam, Remco De Vries, Sandra Zoer, Jos Buurman, Jan Jansen, Wolfgang Amadeus Mozart, Dymphna Van Dooremaal, Johan Steinmann, Martin Van De Merwe, Ron Tyhuis, Irma Kort, Henk De Graaf | D Major | 2 | 10B | 148 BPM | ||
Missa brevis in D Major, K.194: VI. Agnus Dei | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
Matthäus-Passion, BWV 244: No. 25, Was mein Gott will, das g'scheh' allzeit | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Von Gott will ich nicht lassen, BWV 419 | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Requiem in D Minor, K. 626: No 5, Sequence - Recordare | Wolfgang Amadeus Mozart, Sir Colin Davis, Anna Stephany, Andrew Kennedy, Darren Jeffery, Marie Arnet, London Symphony Orchestra | F Major | 1 | 7B | 175 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 14, "Sieh, wie ist die Welle klar" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | E♭ Major | 1 | 5B | 92 BPM | ||
3 Motets, Op. 43: No. 1, Thus Saith the Lord | Knut Nystedt, Amadeus-Chor, Nicol Matt | G Minor | 0 | 6A | 77 BPM | ||
Sechs Lieder Und Romanzen Op. 93a: 1. Der Bucklichte Fiedler | Chamber Choir Of Europe, Reinhard Geller, Jürgen Meier, Johannes Brahms, Nicol Matt | G Major | 2 | 9B | 169 BPM |
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