Carl Heinrich Graun, Elinor Frey, Lorenzo Ghielmi made "Sonata for Violoncello and Basso Continuo in C Major, B,XVII,53: II.Poco allegro" available on March 1, 2015. With this song being about 5 minutes long, at 5:19, "Sonata for Violoncello and Basso Continuo in C Major, B,XVII,53: II.Poco allegro" by Carl Heinrich Graun, Elinor Frey, Lorenzo Ghielmi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 20 in Berlin Cello Sonatas by Abel, Bach, Benda & Graun by Elinor Frey. Based on our statistics, Sonata for Violoncello and Basso Continuo in C Major, B,XVII,53: II.Poco allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sonata for Violoncello and Basso Continuo in C Major, B,XVII,53: II.Poco allegro by Carl Heinrich Graun, Elinor Frey, Lorenzo Ghielmi is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Silla: XIV. 14. Recitativo "Alfin colla mia destra" | Carl Heinrich Graun, Bejun Mehta, Valer Sabadus, Innsbrucker Festwochenorchester, Alessandro De Marchi, Hagen Matzeit, Samuel Mariño | E Major | 4 | 12B | 110 BPM | ||
Ouverture No. 6 in G Minor: VII. Air Gigue | Philipp Heinrich Erlebach, Concerto Stella Matutina, Alfredo Bernardini | A♭ Minor | 4 | 1A | 109 BPM | ||
2 Serenades ou simphonies francoises en 3 parties, Op. 39: Passepied | Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 142 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Dies iræ, S. 31: Quantus tremor est futurus | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Minor | 2 | 10A | 91 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
English Suite No. 5 in E Minor, BWV 810: VI. Gigue | Johann Sebastian Bach, Benjamin Alard | E♭ Minor | 3 | 2A | 97 BPM |
Section: 0.9249134063720703
End: 0.929074764251709