On May 3, 2024, the song "English Suite No. 5 in E Minor, BWV 810: VI. Gigue" was released by Johann Sebastian Bach, Benjamin Alard. The duration of English Suite No. 5 in E Minor, BWV 810: VI. Gigue is about 3 minutes long, at 3:03. Based on our data, "English Suite No. 5 in E Minor, BWV 810: VI. Gigue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Benjamin Alard's "Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 9 "Köthen, 1717-1723 - The Happy Years"" album is number 15 out of 29. On top of that, France appears to be the country where this track was created. In terms of popularity, English Suite No. 5 in E Minor, BWV 810: VI. Gigue is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of English Suite No. 5 in E Minor, BWV 810: VI. Gigue by Johann Sebastian Bach, Benjamin Alard to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |
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